Minnesota
Poet:
David Laterre
Travelog
they drove for miles, ended up in a ravine & called themselves
America. gas stations were cold-water kitty-litter boxes &
transport-cafs/dry humping: i cried at a film you never saw & kept it
from you. then i hoarded arcane knowledge & looked like a fool when i
tried to express it. when i was good & jealous of everyone &
everything around me, i shot myself but didn't die. metaphorically i
shot myself everyday & unlived. all that went before was unliving
too/also: in films they always say 'he's lost a lot of blood,' but i
no longer cared. i bled & bled & eventually stopped. 'what's a lot?' i
asked. a billboard featured you with a washboard stomach but flat
stomach sounds better. i sure got tired of how everything i loved
sounded trite & pretentious. when all you had to do is wear a neo-nazi
leather jacket to get laid. -put on our song while you're at it. if
you were my mom when you said all those things i wouldn't have hit you
so hard. how could i impersonate you with this big Catholic face &
these loud clothes? you're a winner even in that ravine. cuddle up
with that girl while i'm watching. go ahead, i'm not looking/i'm
looking
(c) David Christopher LaTerre
World Wide Dork
what can i tell you of my time here? there was a girl. there was an
ocean. there was a job. there were snatches of music. ships came &
went. airplanes. busses. come from dorkville. there was a corridor &
it looked like this: 10 X 12' - some 25-30 meters long; window at the
end. there was a room, about 280 cubic feet. couch. posters. TV;
window. in it i lived like Jean Genet. there was some sort of scene &
it went on for a while. there was a street, some ten blocks, where
young people randomly rose & fell, ascending & descending like the
German kids in Christianne F. the sky hung like tea leaves. it's
ominous wake. my time was then finite. exchanged eventually to another
place, another time; an ocean & the dreamy mystique of change. there:
other corridors, other rooms. there would be a phone receiver(perhaps
in the room) in which i haven't been introduced;a newsvender yet
met/kitchen cupboards & vague sites. a timecard my look different. it
may look entirely the same. & the girl(as there's always a girl):
you'll always have SCENESTERS/me you won't have ALWAYS. what can i say
of my time here? -the street, the house; the room: dorks still coming
off the tram. they will be bespeckled. they will wear a Melvins shirt.
they will bring their girls. won't. there is an intimidating fire now.
i see it behind the eyes of souls here. there. i look away. it is not
my scene. it is not my scene after all. my feet, they are dancing.
moving toward the sidewalks. out of the windows. out from all the
windows. dancing like birdage. that it goes on & on. invisibly
dancing. & i tell no one of this
(c) David Christopher LaTerre
Relationship Canvasser
pushing the water through the filter
i've come out tiger/lily
welfare forms exploding in my mind
spewing petals
I owe you a hundred times over" she said
to all of us (exhaling mortgage paybooks,
trickledown) guided by angels & teamsters
albeit family, provincial ATM charges, liquid assets
her (whoa!) winning smile lured me with
(grassroots) clinging vines "i'm not
cactus shatterproof hiding mathematics"
but id din't believe her
"i'm alive. i'm ALIVE"
but the perfume had worn off &
the [even] humidifier had shut off
(ghosts of)
suitors + ex-lovers leaving
(including me) & the flowery exchange
oxidizing nightly 70 x7 [w/a remainder of 2]
evaporated.
(c) David Christopher LaTerre
This Bed For Sale
this bed for sale
this bed with a quota
this bed with a waiting period
this bed with a black flag over the headboard
(milkcarton missing children under the boxsprings)
used for missionary/nonmissionary, miscellaneous
this bed, cheap
one owner
slept in some
dreamed in
absorbed misplaced pillow talk
has sentimental value, this (burning) bed
SIT UP & BEG
this bed
roll over & play dead (after the fact) this bed
your pill my tupperware your IUD my saranwrap
messy get a towel ick clean it up
cuddling cooing lying compromise
you look so good
(too good for me)
O I love your bones I love your oily flesh
I love your mound of baby fat that curve that mole
your big pores your cigarette-voice
stay the night
get outta my apartment NOW
I'll make tea
we can put on a video
you're drunk
you're gorgeous
I think you wet the bed
how old ARE you?
[did I say that aloud?]
I've had this same conversation with myself
you sweat during sex
nice beside manner
this whole thing was YOUR orgasm
you look like a beached whale
I think I'm in love with you
I'm over you
this was mercy-sex
you are on angry fuck
(good? bad? indifferent?)
can I take this off?
that's not even my name
you remind me of someone else
I'm married<
this was BAD SEX
this act has defamed my bed
this should have been done on the floor
or on top of a carr -- a ford escort
here's my number
here's the number of a free clinic
take a shower then
this bed with a meter
this bed with a steering wheel
this bed of nails
this bed for hire
this bed for sale.
(c) David Christopher LaTerre
Return to Cyberpoet
Twin Cities Poets Page